At once a portrait, a fashion plate, and a jest, this fascinating image expresses Aguado’s whimsical mood, and is probably an extension of his work on foreshortening. It is strangely devoid of depth, as if the sitter were a two-dimensional cutout, a mere silhouette. The figure brings to mind the compositions of such painters as Caspar David Friedrich and René Magritte, both of whom made haunting use of figures seen from the back. (The Met)